For those who (like me) missed it before: Check out the brilliant 50-minute Donald Trump parody „The Art of the Deal“ featuring Johnny Depp and guest stars like Ron Howard, Patton Oswalt, Henry Winkler, Alfred Molina, Christopher Lloyd, Stephen Merchant, Tim Robbins, Jack McBrayer and ALF („Donald stole my hair.“). The theme song is performed by Kenny Loggins, in nostalgic ’80s style.
The New York Post comments:
Doing a hilarious Donald Trump impression, Depp scores more laughs in his secret new online video, “Donald Trump’s The Art of the Deal: The Movie,” than in his last several comedies.
I was saddened to read the following news earlier tonight:
Maurice White always was particularly close to my heart because he was both a musician’s musician and managed to achieve pop hits. I think I hated „Boogie Wonderland“ when it first came out, but it grew on me. Especially after reading the great story behind it which songwriter Allee Willis made me aware of on Facebook (check the comments section). ;-)
I started to compile a Spotify playlist with my favorite Maurice White songs right after hearing the bad news. So far, it contains 4 hours 28 minutes of great funk, soul and jazz (use it in shuffle mode). Artists include (in alphabetical order) Barbra Streisand, Billy Stewart, Brian Culbertson, Deniece Williams, Earth Wind & Fire, El DeBarge, The Emotions, Fontella Bass, James Ingram, Ramsey Lewis, Ramsey Lewis Trio, The Salty Peppers, The Tubes:
I configured the playlist to be a collaborative effort. Feel free to add your personal favorites on Spotify. If you don’t have a Spotify account, post your music links (YouTube & Co.) in the comments section of this blog entry. And please retweet/repost this tribute in your social media circles!
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The Japanese experience is utterly unpalatable for most artists and probably wouldn’t translate anyway in most Western countries. But the essence of understanding that the fandom itself is just as valuable to fans as the music is the essence of truth that YouTubers have already grasped and that more artists need to do. Welcome to the handshake economy.
We are in the era of the always-on fan, with artists making themselves ever more available to their fans. It is a transition that comes with no shortage of challenges, not least the extra workload it places on artists and the way it chips away at the magical aura that surrounds them. There is an inherent tension between increasing an artist’s appeal through increased accessibility and creating it by maintaining distance. Contrast this with YouTubers like Jenna Marbles, PewDiePie and Phil and Dan who share so much of their lives with their fans. Platforms like Kickstarter, Paetron and the ever excellent PledgeMusic have given artists the ability to balance artistic credibility with monetizing their super fans. But while such efforts are currently on the fringes there is a country where super fans are at the heart of recorded music revenue. Artistic credibility however is not exactly at the top of…
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The New Funk Times used to accompany George Clinton albums on Capitol Records in the ’80s. From 1989 to 1991, I published it as a subscription-only newsletter. I made the P.Funk History Double Issue available before, here is issue #1 from 1989. It features interviews with George Clinton & Bootsy Collins, and a 250-record P.Funk discography.
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