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R.I.P., Maurice White – let’s pay tribute with a collective playlist on Spotify!

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Maurice White performing with Earth, Wind, and Fire at the Ahoy Rotterdam; 1982 (Photo: Chris Hakkens / This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

Maurice White performing with Earth, Wind, and Fire at the Ahoy Rotterdam; 1982 (Photo: Chris Hakkens / This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

I was saddened to read the following news earlier tonight:

Maurice White always was particularly close to my heart because he was both a musician’s musician and managed to achieve pop hits. I think I hated “Boogie Wonderland” when it first came out, but it grew on me. Especially after reading the great story behind it which songwriter Allee Willis made me aware of on Facebook (check the comments section). ;-)

I started to compile a Spotify playlist with my favorite Maurice White songs right after hearing the bad news. So far, it contains 4 hours 28 minutes of great funk, soul and jazz (use it in shuffle mode). Artists include (in alphabetical order) Barbra Streisand, Billy Stewart, Brian Culbertson, Deniece Williams, Earth Wind & Fire, El DeBarge, The Emotions, Fontella Bass, James Ingram, Ramsey Lewis, Ramsey Lewis Trio, The Salty Peppers, The Tubes:

I configured the playlist to be a collaborative effort. Feel free to add your personal favorites on Spotify. If you don’t have a Spotify account, post your music links (YouTube & Co.) in the comments section of this blog entry. And please retweet/repost this tribute in your social media circles!
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The Handshake Economy

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The Japanese experience is utterly unpalatable for most artists and probably wouldn’t translate anyway in most Western countries. But the essence of understanding that the fandom itself is just as valuable to fans as the music is the essence of truth that YouTubers have already grasped and that more artists need to do. Welcome to the handshake economy.

Music Industry Blog

We are in the era of the always-on fan, with artists making themselves ever more available to their fans. It is a transition that comes with no shortage of challenges, not least the extra workload it places on artists and the way it chips away at the magical aura that surrounds them.  There is an inherent tension between increasing an artist’s appeal through increased accessibility and creating it by maintaining distance.  Contrast this with YouTubers like Jenna Marbles, PewDiePie and Phil and Dan who share so much of their lives with their fans.  Platforms like Kickstarter, Paetron and the ever excellent PledgeMusic have given artists the ability to balance artistic credibility with monetizing their super fans. But while such efforts are currently on the fringes there is a country where super fans are at the heart of recorded music revenue. Artistic credibility however is not exactly at the top of…

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Written by Peter Jebsen

26. Januar 2016 at 14:35

The Complete New Funk Times Issue #1 from 1989

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The New Funk Times used to accompany George Clinton albums on Capitol Records in the ’80s. From 1989 to 1991, I published it as a subscription-only newsletter. I made the P.Funk History Double Issue available before, here is issue #1 from 1989. It features interviews with George Clinton & Bootsy Collins, and a 250-record P.Funk discography.
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Funky Shots: George Clinton/Parliament/Funkadelic 1989-1991

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I used to publish ‘round 2’ of the George Clinton/Parliament/Funkadelic newsletter New Funk Times from 1989 to 1991. I can’t find the original photos I took back then, but here are black & white scans from the issues. You can view full-size versions on flickr. If you are interested in the NFT: The P.Funk History Double Issue is available here.
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Written by Peter Jebsen

10. Januar 2016 at 14:50

Interview mit Stevan Paul: Schreibender Kulinariker

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Stevan Paul (Foto: Rene Supper / alle Rechte vorbehalten)

Stevan Paul (Foto: Rene Supper / alle Rechte vorbehalten)

Ich habe für die Nordspitze, die Mitgliederzeitschrift der Landesverbände Bremen, Hamburg und Schleswig-Holstein des Deutschen Journalisten-Verbandes (DJV), Stevan Paul interviewt. Die aktuelle Ausgabe kann beim DJV Hamburg als PDF heruntergeladen werden, hier ist die Maxi-Version, quasi der “Director’s Cut”:

In seinem Genre passt der Begriff „Hans Dampf in allen Gassen“ ganz besonders: Stevan Paul schreibt für Zeitungen und Zeitschriften über Essen, verfasst Kochbücher, bloggt Autobiografisches und veredelt als Food-Stylist Speisen optisch. Dabei ist er als Journalist Quereinsteiger: Der gebürtige Ravensburger lernte in seiner Heimatstadt beim Sternekoch Albert Bouley und arbeitete dann fünf Jahre in deutschen Spitzenhäusern. Vor 15 Jahren wechselte er von der Küchentheke zum Schreibtisch und wurde mit Umweg übers Bloggen zum gefragten Autor.

Wann hast du zum letzten Mal wirklich schlecht gegessen?

Stevan Paul: Oh, das ist lang her, weil ich im Voraus immer genau plane. Und auch wenn ich zum Beispiel meine Restaurantkritiken mache für die Süddeutsche Zeitung, dann guck’ ich schon im Vorfeld, dass es wahrscheinlich nicht der größte Reinfall wird, weil ich immer glaube, dass die Leserin und der Leser mehr interessiert sind an den Empfehlungen, und dass ihnen die Empfehlung mehr bringt als der Verriss. Obwohl sich der Verriss viel schöner schreiben ließe und lustiger wäre.
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Favorite Funk of 2015 … Including Glorious Soul by Judith Hill

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Judith Hill (Photo: Medill DC / This file is licensed under the Creative Commons Attribution 2.0 Generic license. / Source: https://commons.wikimedia.org/wiki/File:Judith_Hill_crop.jpg)

Judith Hill (Photo: Medill DC / This file is licensed under the Creative Commons Attribution 2.0 Generic license. / Source: https://commons.wikimedia.org/wiki/File:Judith_Hill_crop.jpg)

Listening to entries on fellow funkateers’ “Best of 2015” lists made me realize that I missed several great new albums last year. My instant favorite was “Back in Time”, the October release by Judith Hill whose funky soul adds justification to her middle name “Glory”. Her debut was produced by Prince who has a spotty history with regard to picking female protegées who are worth of his musical genius and whose own talents equal their looks.

With Judith, Prince apparently found the perfect match. “Back in Time” contains many of the elements which I liked during Prince’s heyday (and I am not a full-fledged fan – I am not to keen on many of his greatest non-funky hits; e. g., “Purple Rain” and “Let’s Get Crazy”). It has raw funk, sultry soul (without the “sexcesses” we are used to), irresistible grooves, punchy horns annd intricate arrangements.
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Written by Peter Jebsen

3. Januar 2016 at 18:13

One World Under a Groove: Happy New Year, y’all!

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Midnight in Germany: I am not a big fan of New Year’s resolutions and wishes. But I am hoping for One World Under a Groove.

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Written by Peter Jebsen

1. Januar 2016 at 0:10

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